Writing
Monograph:
Academia:
“‘It’s a Haunt’: Doubles, the East-West Gap, and American Hauntology in Willa Cather’s ‘Consequences’ and ‘A Death in the Desert’” (forthcoming, Cather Studies Vol. 16)
“‘This is How You See Me?’: Collisions of Influence and Feminocentric Canon Building in Céline Sciamma’s Portrait of a Lady on Fire” (2022, Film & History)
Novels:
The Harvest (2015, Rainstorm Press)
My Rotting Body (2013, Rainstorm Press)
Selected Reviews:
“The Phoenician Scheme: or, How Wes Anderson Learned to Stop Worrying and Love Dads” (2025, Maybe We’re Projecting)
“The Shrouds Stares Into the Abyss—Now Available in App Form” (2025, Maybe We’re Projecting)
“Sound, Fury, and Warfare” (2025, Maybe We’re Projecting)
“The Killer: David Fincher’s Post-Mank Existential Crisis” (2023, The Entertainment)
“Killers of the Flower Moon and the Limits of Narrative” (2023, The Entertainment)
“The Spectacular Nope” (2023, The Entertainment)
“Petite Maman: The Magic of Understanding” (2022, The Burrow Media)
“Memoria: Intimate and Far Far Away” (2022, The Burrow Media)
“Kimi: Soderbergh’s Post-COVID Paranoia” (2022, The Burrow Media)
“Apollo 10 1/2: A Refreshing Interrogation of Childhood Mythology” (2022, The Burrow Media)
“Murderville: A True Laugh-Out-Loud Surprise” (2022, The Burrow Media)
“Oscars from Underground: Neoliberalism and Punitive Cinema” (2021, Berliner Gazette)
Profiles:
“Confronting the Ugly Legacy of Redlining in Omaha” (2023, The Reader)
“6 Guns Runnin’: A Black Cowgirl Musical Comes to Life on the Stage” (2023, The Reader)